Karen Amy Finkel Fishof | Contemporary Artist at Los Angeles | Art Week
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Title: Contemporary Artist
Country: United States
City: Los Angeles

- About -

By pushing the boundaries of conventional black and white photography, I produce large scale, life size, one-of-a-kind photograms. 
 I stage scenes on photo paper in the darkroom, expose them to light, and then develop them traditionally with black and white chemistry. Photograms provide the medium I need to tell my stories. Through them, I can communicate. I love the creative process of these works, from the exposure to the development.
The magic of seeing the image appear when the photo paper is placed in the chemistry, knowing it was a moment captured with no negative,  and the anticipation in the darkroom of seeing how various objects live in the light and how light wraps around them and capturing that living dance on 2D, still, photo paper. 
 I start with what interests me, not just ideas, but the relationship between ideas. Figures are not only in a physical space, but a psychological one as well. From a pictorial standpoint, compositional organization is paramount. 
 My work merges socio political content with sculptural, painterly objects in it’s own reality experience. 
 I am influenced by all artistic mediums including interior design, film, music, fashion and social media. I've worked in all these areas professionally, and draw from their current trends. Creating photograms allows me to collage these areas together into one cohesive image statement. 
 I consider the process drawing with light. It gives me the strong imagery and narrative, with hidden subtleties. Each piece is premeditated to a degree with a window left open for spontaneous improvisation. Figures are firmly planted in their own surreal, distorted space. Unlike conventional photography, each piece is a one-of-a-kind, like a painting. 
 All persons and objects serve a double role. Not only are they instruments in imagery, but also declare a statement about the medium itself. We are forced to recognize a new aspect of the person or object touching the surface, the form itself. 
 There is a presence that remains of the people and objects, sort of like when you see the hand prints on the Hollywood "Walk of Fame". You know that the person had physical contact with the paper, unlike conventional photography or portraiture. 
 The work makes one cognizant of the relationship we have with objects. We almost always have an object in our hands, whether it be a phone, pen, fork, cup, remote control, gun, bible or flowers. We are dependent on them and they define us. 
 Recent photograms explore contemporary issues of religion, politics, gender and parenting.