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CHELSEA space is pleased to announce Ken Cox: Poetry Machines as the second exhibition in our spring programme. A highly influential sculptor of the British concrete poetry movement, Ken Cox was a creator of kinetically powered poetry machines that made words move in space as material objects. Cox’s career was cut tragically short in November 1968 when he was fatally injured in a car accident, just months after his first solo show at the Lisson Gallery. This is the first time his works have been shown in London since then, re-asserting Cox as a significant figure in the concrete poetry movement.
The exhibition reactivates works such as Seasons Clock (1965), the hanging multiple, Suncycle (1968), The Three Graces (1966 -68) (Latin Version) and one of the five Elemental Balloon Poems (1967). These works explore the wide range of formal possibilities of the material of language within the spatial and kinetic dimensions of art. Here letters do not correspond to semiotic language, but instead show a curiously textual approach to sculpture, in which words are not so much read as felt. In a review from July 1968, Guy Brett wrote of the Elemental Balloon Poems:
‘One room is entirely filled by large, soft coloured balloons. They are revolving on stands which keep them full of air at a low pressure and light them up inside. The orange Balloon is ringed at its centre by the word “earth” printed without gaps so it spells “heart” as the balloon circles. The green one has ocean bobbing up and down just below the center and so on. These objects dispense with descriptive words, and try to intensify a single word by linking it to an easily grasped experience of space and interval’
Also exhibited is Shadow Box (1965), Cox’s first poetry machine initially shown at the OXPO 2nd International Exhibition of Experimental Poetry, Oxford in 1965. Thrown into the river by Oxford students protesting the farcical nature of the exhibition, the work has been revived and will feature alongside other rarely seen drawings and ephemera. Also included is documentation relating to the 30ft high floating version of The Three Graces (Love, Beauty, Passion) (1967). Made for the Concrete Poetry Exhibition, Brighton Festival, it was destroyed in a storm after being at sea for 10 days.
Ken Cox: Poetry Machines has been curated by the concrete poetry specialist William Allen and CHELSEA space, with assistance from the Cox Estate.
Kenelm (Ken) Cox studied at Bristol Art College and later at Camberwell School of Arts and Crafts. A native of Gloucestershire, Cox returned in 1962 to Kingscote and began teaching at the Gloucester College of Art in 1964. During this time Cox became an early member of the GLOucestershire groUP or GLOUP – ‘Glo’ster Gro’up of Concrete and Kinetic Poets’. The members of GLOUP comprised of the artists and poets John Furnival, Ken Cox, Dom Sylvester Houédard, Charles Verey and Thomas A Clark. It was from this fertile ground that Cox developed his very particular orientation in concrete poetry.
Ken Cox was included in various significant exhibitions of concrete poetry and experimental art, including OXPO 2ndInternational Exhibition of Experimental Poetry, St. Catherine’s College, Oxford (1965), Between Poetry and Paintingcurated by Jasia Reichardt at the ICA (1965), Concrete Poetry Exhibition, Brighton Festival (1968) and the groundbreaking Cybernetic Serendipity, also curated by Jasia Reichardt at the ICA (1968).
Offsite project: Work From the Collections #3: Jocelyn Herbert and Samuel Beckett From the Jocelyn Herbert Archive at the National Theatre launches at WIMBLEDON SPACE, Wimbledon College of Art, from Wednesday 25 March to Friday 10 April 2015. MA Curating and Collections at Chelsea College of Arts present an exhibition exploring the working relationship between the acclaimed theatre and film designer, Jocelyn Herbert, and the iconic playwright and author, Samuel Beckett.
