You are here

On-Kyeong Seong: Embedment February 5 - March 1, 2020

Country:

City:

Categories:

Date: 
Wednesday, 5 February 2020 to Sunday, 1 March 2020
Opening: 
Friday, 7 February 2020 - 5:00pm to 8:00pm

This exhibition represents a body of work created over the last three years, but the germination began more than eight years ago upon the passing of my father from cancer. I had become familiar with the strange, but beautiful, cells that formed his illness and I could not erase them from my memory. The paintings speak to multiple sources and issues: cell biology, pathology, human-made environmental degradation, and genetically modified organisms. I’m fascinated by the ways in which our natural state is adversely affected by artificial influence. These works represent my visualizations of these manipulated biomorphic formations. My approach to the canvas, pushing the painted work through the sewing machine, is an exploration of the emotional and sensory experiences in my practice. I had little experience with sewing, but I found it to be a subtle metaphor for the punctuations we artificially insert and assert into our natural state. The process of stitching also builds tension onto the canvas, and it puts on full display the deliberate labor of sewing, juxtaposed with the incidental abstraction of the painting.I was also influenced by the De Stijl art movement and Supremacist composition. This is evident in the geometric structures found in many of the backgrounds. From those fundamental geometries, the organisms take root and appear to both intertwine and disrupt. The process of reading the paintings is multifaceted and multilayered. My intention is that upon each gaze, a sense of discord must be reconciled.Abstract painting remains at the core of my practice. The way my hand and the paint brush flow onto the canvas are organic movements. The feeling is innate and flowing. When I added the sewing machine, I was eager to explore how the human-made, or the artificial, alter and influence the organism. I literally push the painted canvas through the machine, a process that is difficult to control. The needles often break; it is anything but freestyle. I paint, sew, paint, sew, on repeat for about 10 cycles. A work can sometimes take more than a year to complete. 

 

I titled the exhibition Embedment, defined as the act of setting something permanently within something else. I am interested in the concept of human intervention, on a universal level all the way to the cellular. When I stitch onto the canvas, it is my way of connecting the natural systems of our world with the artificial structures of our lives. 

 

Telephone: 
16174234113
Venue ( Address ): 

450 HArrison ave, 43, Boston, MA 02118, USA

Kingston gallery , Boston

Other events from Kingston gallery

view
Yuri Shimojo: Unbroken Line
08/26/2020 to 09/18/2020
view
Jennifer Moses: Protest
08/26/2020 to 09/20/2020
view
Jamal Thorne: Fragments and Lost Verses
06/24/2020 to 07/26/2020
view
Rose Olson: Rain and Sunshine
06/24/2020 to 07/26/2020

Pages

 

Related Shows This Week

view
TANGLED LINES AND SHIFTING SHADOWS
02/27/2024 to 04/14/2024
view
BEYOND THE STREETS & CONTROL GALLERY PRESENT GRAFFITI ARCHIVE 1972/73: AN EXHIBITION OF PHOTOGRAPHS FROM GORDON MATTA-CLARK
03/01/2024 to 04/13/2024
view
Imagined Reality, an Art Exhibition
02/25/2024 to 03/30/2024
view
JUNE EDMONDS: Meditations on African Resilience
02/24/2024 to 04/13/2024
view
Art Share L.A. Open Studios - Ellsworth Artist Residency Program
03/30/2024
view
LORI COZEN-GELLER ||| THE HUMAN CONDITION
10/18/2023 to 12/16/2024
view
CONTROL GALLERY PRESENTS CHEAP THRILLS & TONS OF SMOKE FOR MAXIMUM JOY: AN EXHIBITION OF WORKS FROM GUILLAUME OLLIVIER
03/01/2024 to 04/13/2024
view
„APA- interferențe culturale”
03/20/2024 to 05/20/2024

Pages