Exhibition | Embodying: Flesh, Fiber, Features | Contemporary Art at Galleria Anna Marra | Roma | Art Week

Embodying: Flesh, Fiber, Features

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3

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Date: 
Wednesday, 18 September 2019 to Saturday, 26 October 2019
Opening: 
Wednesday, 18 September 2019 - 6:30pm

Galleria Anna Marra inaugurates its next exhibition season on Wednesday 18 September 2019 with Embodying: Flesh, Fiber, Features, a multimedia exhibition curated by Serena Trizzino who presents for the very first time in Rome the work of three artists from New York City: Brie Ruais, Martha Tuttle and Letha Wilson.

Central to the work of these three artists is their physical and emotional relationship with the materials they use (clay, wool, photographs and industrial materials) and nature, this last a continual inspiration for artists since the Renaissance and through Land Art, but which still today in our social epoch continues as a reference point.

In the exhibition there are 2 large ceramic installations and 4 small works by Brie Ruais, 4 characteristic hand-worked canvases by Martha Tuttle and 7 photographs as they encounter sculpture by Letha Wilson.  All the works are previously unpublished and specially created for the spaces of the gallery.

Brie Ruais is exhibiting her works in ceramic and paper for the first time in Italy.  In the artist’s most iconic series – she starts from with a mass of clay equal to her weight – she molds the material using her body [flesh] with pressure, pushing and scratching.  Thus she creates a memory of herself and her existence in the world as a physical person.

In her most recent series, Topology, the works are defined by the space in which each is created, here her garden.  The artist has created a 1:1 scale map that notes not only physical space but also her actions in that space and the elements she inserts into it (plants, decorations, architecture, etc.).

The relationship between body and space is central to Martha Tuttle’s research as well.  Tuttle, also being shown in Italy for the first time, uses cotton and wool textiles [fiber] to create geometric abstractions often inspired by the western landscapes in which she grew up (New Mexico in particular).  She creates the skeins, dyes them and weaves them to create the wool inserts we see in her works.  Her intent is to record in the lines of the cloth her gestures and her touch – which in their turn depend on her emotions, moods and external inspirations – thus creating in her work a narrative which is implicitly and strongly personal.

In Letha Wilson’s works photography meets sculpture.  Using shots she has taken of the American west over the last twenty years, Wilson investigates the limits of landscape photography, i.e. that of showing in its entirety the world around us.  With this as her objective the artist uses industrial materials to create compositions [Features] that remind us of the subtle equilibrium between nature and modern civilization.

The exhibition is accompanied by a publication printed by Gangemi Editore with an essay and critical comment by Massimo Canevacci.

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Brie Ruais (1982) received her MFA from Columbia University's School of the Arts in 2011. Her work has been exhibited at public institutions including the Katzen Center at American University, Washington, DC, and the Museum of Fine Arts Boston. She has had solo shows with Cooper Cole, Toronto, Canada; Halsey McKay Gallery, East Hampton, NY; Nicole Klagsbrun, New York, NY and Night Gallery, Los Angeles, CA.Awards and residencies include The Pollock Krasner Foundation Grant (2018), The Sharpe Walentas Studio Program (2018), the Dieu Donne Fellowship (2016), Montello Foundation Residency (2017), Socrates Sculpture Park Fellowship (2014), The Shandaken Project Residency (2014) among others.Ruais' work is in the collections of the Dallas Museum of Art, Dallas, TX; The Pennsylvania Academy of Art, Philadelphia, PA; the Pizzuti Collection, OH; and the BurgerCollection Hong Kong.She is featured Vitamin C: New Perspectives in Contemporary Art, Clay and Ceramics, by Phaidon (2017). Ruais is represented by Albertz Benda Gallery, NYC, Cooper Cole Gallery, Toronto, and Night Gallery, LA. She lives and works in Brooklyn, New York.

Martha Tuttle (1989) graduated from Bard College in 2011 and received her MFA from The Yale School of Art in 2015. She is currently in residence at the Sharpe-Walentas Studio Program in Brooklyn, NY and has held residencies at the UCross Foundation in Clearmont, WY, A-Z West in Joshua Tree, CA, the New Mexico School of Poetics in Ojo Caliente, NM, and Grin City Collective in Grinnell, Iowa. In 2014, Martha received a Josef Albers Foundation Travelling Fellowship as well as a Donald C. Gallup Research Fellowship from The Beinecke Rare Books and Manuscripts Library, Yale University. She currently lives and works in Brooklyn, New York.

Letha Wilson (1976) earned her BFA from Syracuse University, and a MFA from Hunter College. Residencies include Skowhegan School of Painting and Sculpture, Yaddo, Bemis Center for Contemporary Arts, Headlands Center for the Arts. Wilson has exhibited at the MASS Moca, Essl Museum, Bemis Center for Contemporary Art, Bronx Museum of the Arts, Socrates Sculpture Park, Exit Art, ARKO Art Center and the Aldrich Museum of Contemporary Art. She lives and works in Brooklyn, New York.

Telephone: 
+39 06 97612389

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Via Sant'Angelo in Pescheria 32, 00186 Roma, Italy

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Other shows from Galleria Anna Marra

view
Embodying: Flesh, Fiber, Features
09/18/2019 to 10/26/2019
view
Rigenerazioni
10/09/2018 to 12/14/2018
view
FLUSSI
04/18/2018 to 05/26/2018
view
COSÌ È (SE VI PARE)
03/06/2018 to 04/07/2018

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