John Zurier: Sometimes (Over Me the Mountain)

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1

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$18000 to
$28000

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Date: 
Friday, 12 October 2018 to Saturday, 22 December 2018
Opening: 
Friday, 12 October 2018 - 5:00pm

When John Zurier first came to Iceland in 2002 it must have been like uncovering something that he had known all along. This first encounter with Iceland was not a discovery so much as a confirmation of what he was already making and expressing in his work. Since 2011 Zurier has split his time between his landscape of affinity, Iceland, and his native California. The influence of both regions are apparent in the work. The foggy diffused light of the Bay Area, where the artist moved in 1974 to study landscape architecture at University of California, Berkeley, as well as the crisp beachy light of Zurier’s youth in Los Angeles, pair with the varied and spare terrain of Iceland to feed his work and bring forth paintings that are more like an experience or journey than a reference or representation.

Zurier was a teenager when California Light and Space artists, like Robert Irwin, Douglas Wheeler, Mary Corse, and James Turrell, were utilizing unconventional approaches to express the experience of perception. Those artists wanted the viewer, a term used loosely in this case, to not only see light, space, and volume but to physically experience it. Their desire was for the entire body to be engaged in perceiving an artwork. The zeitgeist of post-war Southern California compelled those artists to utilize the high-tech polymers and other materials of the aerospace industry to achieve their goal. Zurier uses the most traditional of materials to that same end. His skilled and contemplated use of paint and canvas make evident that these old-fashioned materials are equally effective in expressing the intangible.

There is a precision to his observation of the canvas surface and to his deployment of glue-size pigment and oil paint. This is a precision of comprehensiveness rather than of accuracy. Zurier is working with a specific canvas as well the history of painting, all paintings he has ever made, and all paintings he has ever seen. The folds, bumps, and other irregularities in the jute or linen are sometimes noted with dots of paint or lines, as if giving a nod to the life of that canvas before it was called into the service of the painting. These acknowledgements of surface sometimes become compositional devices or motifs in the work, as in the painting "After Hallgrímur Pétursson"; others are no longer visible in the service of the overall composition. What is removed from the painting’s surface is as important as what is left visible. The work deals very directly with the surface but is not static or flat — the pigments are in dialogue with the surface by working in, under, and on top of it. The trace of where the artist started the work and the action of adding and removing pigment enable the subtle expression of things far greater than the sum of the painting’s parts. The artwork is the expression and translation of observation and experience — that experience includes places, poetry, history, materiality, and life itself.

 

                                                                                                            Merry Scully

 

 

Merry Scully is a curator and arts educator based in Santa Fe, New Mexico. She is currently the curator of contemporary art and head of curatorial affairs at the New Mexico Museum of Art.

Title: After Hallgrímur Pétursson
Artist: John Zurier
Dimension: 65 × 0 × 60 cm


Title: Votilækur (For Nina)
Artist: John Zurier
Dimension: 70 × 0 × 65 cm


Title: Far again
Artist: John Zurier
Dimension: 30 × 0 × 25 cm


Title: Given: dust
Artist: John Zurier
Dimension: 120 × 0 × 100 cm


Title: Echo
Artist: John Zurier
Dimension: 50 × 0 × 40 cm


Title: Litlisjór 2
Artist: John Zurier
Dimension: 55 × 0 × 35 cm


Title: Over me the mountain
Artist: John Zurier
Dimension: 85 × 0 × 70 cm


Title: Esjuberg
Artist: John Zurier
Dimension: 80 × 0 × 70 cm


Artist ( Name ):

Artist ( Description ): 

John Zurier (b.1956) paints abstract paintings in which the colour and surface invoke the atmosphere and mood of places and times – seen and unseen, past and future. The paintings offer a maximal sense of colour, light, and space with simple and direct means. His works have a great physicality that derives from his interest in the material qualities of both paint and support. He works with both oil paint and glue-size tempera (also known as distemper) on a wide range of linen grounds, and also with watercolour on paper.

John Zurier was born in 1956 in Santa Monica, California and received his MFA in Fine Arts from the University of California, Berkeley, in 1984. He currently lives and works in Berkeley, California and Reykjavik, Iceland. Zurier participated in the 30th São Paulo Biennial in São Paulo, Brazil (2012), the California Biennial at the Orange County Museum of Art, Newport Beach, CA (2010), the Gwangju Biennial, South Korea (2008), and the Whitney Biennial at the Whitney Museum of American Art, New York, NY (2002). He has had numerous solo exhibitions in the US as well as Europe and Japan, and his work is in public collections including the San Francisco Museum of Modern Art, Moderna Museet, Stockholm, the University of California, Berkeley Art Museum and Pacific Film Archive. He received a John Simon Guggenheim Fellowship in 2010.

Telephone: 
+354 5620001

Venue ( Name ):

Venue ( Address ): 

Klapparstígur 16, 101 Reykjavík

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Other shows from BERG Contemporary

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John Zurier: Sometimes (Over Me the Mountain)
10/12/2018 to 12/22/2018
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Björn Roth: NERVETTIS 2009-2018
03/03/2018 to 04/28/2018

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