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- 10 - 19

Engaging material process as metaphor at the European Ceramic Work Centre (EKWC) residency in the Netherlands this summer, Jeremy Laing turned to mould-making as a way of exploring and disrupting the normative and hierarchical structures of the ideal form and its faithful replication.
Conceptually, the mould is a stand-in for the predetermined and determining conditions of social formations and identities—the structures we defer to and grow into, or divert from and expand, or, perhaps, embody in a more complex way that is both accepting and resisting, identifying and disidentifying. Indeed, rather than representing a lack or hard limit, the contours of a mould’s void provide the basis for innumerable elaborations. Like our lives and identities, shaping and being shaped in concurrent mutuality, Laing’s new work emerges from a circular pattern of citation and manifestation. No self, no other; no master, no replica.
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137 Tecumseth Street
Toronto, Canada
M6J 2H2
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