Untitled

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Dimension: 
0 × 17.71654 × 4.72441 in | cm
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Born in Cuba and trained at Havana’s Academia de San Alejandro, Arcay arrived in Paris on a grant in 1949. He quickly assimilated within the milieu of post-Cubist Abstraction and in 1951, at the invitation of André Bloc, the influential editor of the journal Art d’Aujourd’hui, Arcay set up a studio at Bloc’s villa in Meudon, en countering such luminaries of the historical avant-garde as Jean Arp, Robert and Sonia Delaunay, and Fernand Léger. While celebrated as a printmaker, Arcay painted only through the 1950s and 1960s. He exhibited as part of the Cuban delegation to the São Paolo Biennale (1955) and frequently at Havana’s Galería Color-Luz, a pioneering outpost of geometric abstraction. A member of both the Constructivist Groupe Espace, founded by Bloc and Félix Del Marle in 1951, and the short-lived Cuban group Los Diez Pintores Concretos (1959-61), Arcay personified the rich diversity and internationalism of postwar abstraction.
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